Why Do Fools Fall in Love?

 

Franklin Joseph Lymon (September 30, 1942 – February 27, 1968) was an American rock and roll/rhythm and blues singer and songwriter, best known as the boy soprano lead singer of the New York City-based early rock and roll group The Teenagers. The group was composed of five boys, all in their early to mid-teens. The original lineup of the Teenagers, an integrated group, included three African-American members, Frankie Lymon, Jimmy Merchant, and Sherman Garnes; and two Puerto Rican members, Joe Negroni and Herman Santiago. The Teenagers’ first single, 1956’s “Why Do Fools Fall in Love,” was also their biggest hit. After Lymon went solo in mid-1957, both his career and that of the Teenagers fell into decline. He was found dead at the age of 25 on the floor of his grandmother’s bathroom from a heroin overdose. His life was dramatized in the 1998 film Why Do Fools Fall In Love.

The Jukebox

jukebox2

In San Francisco in 1890, Louis Glass and William S. Arnold invented the nickel-in-the-slot phonograph, the first of which was an Edison Class M Electric Phonograph retrofitted with a device patented under the name of Coin Actuated Attachment for Phonograph. The music was heard via one of four listening tubes.

Early designs, upon receiving a coin, unlocked the mechanism, allowing the listener to turn a crank that simultaneously wound the spring motor and placed the reproducer’s stylus in the starting groove. Frequently, exhibitors would equip many of these machines with listening tubes (acoustic headphones) and array them in “phonograph parlors”, allowing the patron to select between multiple records, each played on its own machine. Some machines even contained carousels and other mechanisms for playing multiple records. Most machines were capable of holding only one musical selection, the automation coming from the ability to play that one selection at will. In 1918 Hobart C. Niblack patented an apparatus that automatically changed records, leading to one of the first selective jukeboxes being introduced in 1927 by the Automated Musical Instrument Company, later known as AMI.

 

juke box4

 

The term jukebox came into use in the United States beginning in 1940, apparently derived from the familiar usage “juke joint”, derived from the Gullah word “juke” or “joog” meaning disorderly, rowdy, or wicked. As it applies to the ‘use of a jukebox’, the terms juking (v.) and juker (n.) are the correct expressions.

Song-popularity counters told the owner of the machine the number of times each record was played (A and B side were generally not distinguished), with the result that popular records remained, while lesser-played songs could be replaced.

Wallboxes were an important, and profitable, part of any jukebox installation. Serving as a remote control, they enabled patrons to select tunes from their table or booth. One example is the Seeburg 3W1, introduced in 1949 as companion to the 100-selection Model M100A jukebox. Stereo sound became popular in the early 1960s, and wallboxes of the era were designed with built-in speakers to provide patrons a sample of this latest technology.

 

juke box6

 

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Jukeboxes were most popular from the 1940s through the mid-1960s, particularly during the 1950s. By the middle of the 1940s, three-quarters of the records produced in America went into jukeboxes. While often associated with early rock and roll music, their popularity extends back much earlier, including classical music, opera and the swing music era. In 1977, The Kinks recorded a song called “Jukebox Music” for their album Sleepwalker.

Many manufacturers produced jukeboxes, including 1890s Wurlitzer, 1920s Seeburg, 1930s “Rock-Ola” whose name is actually based on that of the company founder, David Cullen Rockola, Sound Leisure and Crosley.

Two companies still remain today in the manufacture of classically styled jukeboxes. Rockola based in California and Sound Leisure based in Leeds in the UK. Both companies manufacture jukeboxes based on a CD playing mechanism however in April 2016 Sound Leisure showed a prototype of the “Vinyl Rocket” at the UK Classic Car Show. It stated that it would start production of the 140 7″ vinyl selector (70records) in summer of the same year.

 

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1952 Seeburg M100C – This was the jukebox exterior used in the credit sequences for the sitcom Happy Days in seasons 1-10. It played up to fifty 45 rpm records making it a 100-play. It was a very colorful jukebox with chrome glass tubes on the front, mirrors in the display, and rotating animation in the pilasters.

 

jukex

Do You Know the Way to San Jose

[Verse 1]
Do you know the way to San Jose?
I’ve been away so long
I may go wrong and lose my way
Do you know the way to San Jose?
I’m going back to find
Some peace of mind in San Jose

L.A. is a great big freeway
Put a hundred down and buy a car
In a week, maybe two
They’ll make you a star
Weeks turn into years, how quick they pass
And all the stars that never were
Are parking cars and pumping gas

[Verse 2]
You can really breathe in San Jose
They’ve got a lot of space
There’ll be a place where I can stay
I was born and raised in San Jose
I’m going back to find
Some peace of mind in San Jose

Fame and fortune is a magnet
It can pull you far away from home
With a dream in your heart you’re never alone
Dreams turn into dust and blow away
And there you are without a friend
You pack your car and ride away

[Bridge]
I’ve got lots of friends in San Jose
Do you know the way to San Jose?

[Outro]
Oh, L.A. is a great big freeway
Put a hundred down and buy a car
In a week, maybe two
They’ll make you a star
Weeks turn into years, how quick they pass
And all the stars that never were
Are parking cars and pumping gas
I’ve got lots of friends in San Jose
Oh, do you know the way to San Jose?
Hmm, can’t wait to get back to San Jose

Creem Magazine

Creem (which is always capitalized in print as ‘CREEM’ despite the magazine’s nameplate appearing in mostly lower case letters), “America’s Only Rock ‘n’ Roll Magazine”, was a monthly rock ‘n’ roll publication first published in March 1969 by Barry Kramer and founding editor Tony Reay. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a glossy tabloid. Lester Bangs, often cited as “America’s Greatest Rock Critic”, became editor in 1971. The term “punk rock” was coined in May 1971, in Dave Marsh’s Looney Tunes CREEM column about Question Mark & the Mysterians.

CREEM picked up on punk rock (which many claim the magazine helped to conceptualize, if not invent) and new wave movements early on. CREEM gave massive exposure to artists like Lou Reed, David Bowie, Roxy Music, Blondie, and The New York Dolls years before the mainstream press. In the 1980s, it also led the pack on coverage of such upcoming rock icons as R.E.M., The Replacements, The Smiths, The Go-Go’s and The Cure, among numerous others. It was also among the first to sing the praises of metal acts like Motörhead, Kiss, Judas Priest, and Van Halen.

Melvins guitarist Roger “Buzz” Osborne taught Kurt Cobain about punk by loaning him records and old copies of CREEM.

Alice Cooper referenced the magazine in his song “Detroit City” – “But the Riff kept a Rockin’, the Creem kept a-talkin’, and the streets still smokin’ today”. Thurston Moore of Sonic Youth said: “Having a certain sense of humor in the rock’n’roll culture – CREEM nailed it in a way that nobody else was. It informed a lot of people’s sensibilities.”

Rock Stars and Musicians that died at age 27, very bizarre.

The number of rockers who were taken from us too early in life — whether by accident, violence or misadventure — is obviously far too large. The fact that so many of the biggest and most influential talents in rock history died at the age of 27 is even more bizarre, and when you think about it, downright creepy.

Over the years, the stories behind the deaths of the members of this so called “27 club” have grown more and more inflated and outrageous, with everything from legal cover-ups to elaborate hoaxes and even deals with the devil trotted out to try and make some sense of these tragic losses.

Together with our friends at Loudwire, we try to distinguish fact from fiction regarding these sad stories on the following list of Rockers Who Died at Age 27.

 

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception.

According to Hendrix and Cobain biographer Charles R. Cross, the growing importance of the media—Internet, television and magazines—and the response to an interview of Cobain’s mother were jointly responsible for such theories. An excerpt from a statement that Cobain’s mother, Wendy Fradenburg Cobain O’Connor, made in the Aberdeen, Washington newspaper The Daily World—”Now he’s gone and joined that stupid club. I told him not to join that stupid club.”—referred to Hendrix, Joplin, and Morrison dying at the same age, according to Cross. Other authors share his view. On the other hand, Josh Hunter and Eric Segalstad, writer of The 27s: The Greatest Myth of Rock & Roll, assumed that Cobain’s mother referred to the death of his two uncles and his great uncle, who all committed suicide. According to Cross, the events have led a “set of conspiracy theorists [to suggest] the absurd notion that Kurt Cobain intentionally timed his death so he could join the 27 Club”.

In 2011, seventeen years after Cobain’s death, Amy Winehouse died at the age of 27, and there was a large amount of media attention devoted to the club once again. Three years earlier, she had expressed a fear of dying at that age.

People identified as being in the 27 Club

Name Date of death Official cause of death Fame Age
Levy, Alexandre January 17, 1892 Unknown Composer, pianist and conductor 27 years, days  
Chauvin, Louis March 26, 1908 Neurosyphilitic sclerosis Ragtime musician 27 years, 13 days  
Johnson, Robert August 16, 1938 Poisoning (strychnine)[unattributed]) Blues singer and musician who recorded a very influential set of 29 songs. 27 years, 100 days  
Nat Jaffe August 5, 1945 Complications from high blood pressure Swing jazz pianist 27 years, 216 days  
Jesse Belvin February 6, 1960 Traffic collision (car) R&B singer, pianist and songwriter 27 years, 53 days  
Lewis, Rudy 01964-05-20-0000May 20, 1964 Drug overdose Vocalist of the Drifters 27 years, 271 days  
Henderson, Joe October 24, 1964 Heart attack R&B and gospel singer 27 years, 183 days  
Hale, Malcolm ! 01968-10-31-0000October 31, 1968 Poisoning (carbon monoxide) Original member and lead guitarist of Spanky and Our Gang 27 years, 166 days  
Pride, Dickie March 26, 1969 Drug overdose (sleeping pills) Rock and roll singer 27 years, 156 days  
Jones, Brian 01969-07-03-0000July 3, 1969 Drowning(coroner’s report states “death by misadventure”) Rolling Stones founder, guitarist and multi-instrumentalist 27 years, 125 days  
Wilson, Alan “Blind Owl” 01970-09-03-0000September 3, 1970 Drug overdose (barbiturate), possible suicide Leader, singer and primary composer of Canned Heat 27 years, 61 days  
Hendrix, Jimi September 18, 1970 Asphyxiation Pioneering electric guitarist, singer and songwriter for the Jimi Hendrix Experience and Band of Gypsys 27 years, 295 days  
Joplin, Janis October 4, 1970 Drug overdose (probable, heroin) Lead vocalist and songwriter for Big Brother and the Holding Company, the Kozmic Blues Band and Full Tilt Boogie Band 27 years, 258 days  
Arlester “Dyke” Christian March 13, 1971 Murdered Frontman, vocalist and bassist of Dyke and the Blazers 27 years, 273 days  
Morrison, Jim 01971-07-03-0000July 3, 1971 Heart failure Singer, lyricist, and leader of the Doors 27 years, 207 days  
Jones, Linda March 14, 1972 Complications from diabetes Soul singer 27 years, 91 days  
Harvey, Leslie May 3, 1972 Electrocution Guitarist for Stone the Crows and brother of Alex Harvey 27 years, 233 days  
Ron “Pigpen” McKernan March 8, 1973 Gastrointestinal hemorrhage Founding member, keyboardist and singer of the Grateful Dead 27 years, 181 days  
Roger Lee Durham July 27, 1973 Fell off a horse and died from the injuries Singer and percussionist of Bloodstone 27 years, 163 days  
Yohn, Wallace !Wallace Yohn 01974-08-12-0000August 12, 1974 Plane crash Organ player of Chase 27 years, 212 days  
Alexander, Dave February 10, 1975 Pulmonary edema Bassist for the Stooges 27 years, 252 days  
Ham, Pete April 24, 1975 Suicide by hanging Keyboardist and guitarist, leader of Badfinger 27 years, 362 days  
Thain, Gary December 8, 1975 Drug overdose (heroin) Former bassist of Uriah Heep and the Keef Hartley Band 27 years, 207 days  
Cecilia August 2, 1976 Traffic collision (car) Singer 27 years, 296 days  
Köllen, Helmut May 3, 1977 Poisoning (carbon monoxide) Bassist for 1970s prog rock band Triumvirat 27 years, 27 days  
Bell, Chris December 27, 1978 Traffic collision (car) Singer-songwriter and guitarist of power pop band Big Star and solo 27 years, 349 days  
Miller, Jacob March 23, 1980 Traffic collision (car) Reggae artist and lead singer for Inner Circle 27 years, 324 days  
Boon, D. December 22, 1985 Traffic collision (van) Guitarist, lead singer of punk band the Minutemen 27 years 266 days  
Bashlachev, Alexander February 17, 1988 Fall from a height, probable suicide Poet, rock musician and songwriter 27 years 266 days  
Basquiat, Jean-Michel August 12, 1988 Drug overdose (Speedball) Painter and graffiti artist; formed the band Gray 27 years, 234 days  
de Freitas, Pete June 14, 1989 Traffic collision (motorcycle) Drummer for Echo & the Bunnymen 27 years, 346 days  
Zapata, Mia July 7, 1993 Murdered Lead singer of the Gits 27 years, 316 days  
Cobain, Kurt April 5, 1994 c. Suicide by gunshot Founding member, lead singer, guitarist and songwriter for Nirvana 27 years, 44 days  
Pfaff, Kristen June 16, 1994 Drug overdose (heroin) Bass guitarist for Hole and Janitor Joe 27 years, 21 days  
Edwards, Richey February 1, 1995 Disappeared; officially presumed dead November 23, 2008 Lyricist and guitarist for Manic Street Preachers 27 years, 41 days  
Pat, Fat February 3, 1998 Murdered American rapper and member of Screwed Up Click 27 years, 61 days  
Tah, Freaky 01999-03-28-0000March 28, 1999 Murdered American rapper and member of the hip hop group Lost Boyz 27 years, 318 days  
Kami June 21, 1999 Subarachnoid hemorrhage Drummer for Malice Mizer 27 years, 140 days  
Bueno, Rodrigo June 24, 2000 Traffic collision (car) Cuarteto singer 27 years, 31 days  
Sean Patrick McCabe August 28, 2000 Asphyxiation Lead singer of Ink & Dagger 27 years, 289 days  
Maria Serrano Serrano November 24, 2001 Plane crash (Crossair Flight 3597) Background singer for Passion Fruit 27 years, 363 days  
Ward, Jeremy Michael May 25, 2003 Drug overdose (heroin) The Mars Volta and De Facto sound manipulator 27 years, 20 days  
Ottoson, Bryan !Bryan Ottoson 02005-04-19-0000April 19, 2005 Drug overdose (prescription medication) Guitarist for American Head Charge 27 years, 32 days  
Elizalde, Valentín November 26, 2006 Murdered Mexican banda singer 27 years, 297 days  
Winehouse, Amy 02011-07-23-0000July 23, 2011 Poisoning (alcohol) Singer-songwriter 27 years, 312 days  
Richard Turner August 11, 2011 Cardiac arrest Trumpet player, collaborator with Friendly Fires 27 years, 12 days  
Nicole Bogner January 6, 2012 Undisclosed illness Singer for Visions of Atlantis 27 years 290 days  
Soroush “Looloosh” Farazmand November 11, 2013 Murdered Guitarist for the Yellow Dogs 27 years, 11 days  
Monkey Black April 30, 2014 Murdered Dominican rapper and singer 27 years  278 days  
Slađa Guduraš ! December 10, 2014 Road accident Bosnian pop singer and actress 27 years, 121 days

Jesus Built My Hotrod

Some wake up music.

Soon I discovered that this rock thing was true
Jerry Lee Lewis was the devil
Jesus was an architect previous to his career as a prophet
All of a sudden, I found myself in love with the world
So there was only one thing that I could do
Was ding a ding dang my dang a long ling long

Ding dang a dong bong bing bong
Ticky ticky thought of a gun
Everytime I try to do it all now baby
Am I on the run
Why why why why why baby
If it’s so evil then?
Give me my time, with all my power
Give it to me all again (wow)
Ding a ding a dang a dong dong ding dong
Every where I go

Everytime you tell me baby
When I settle down
Got to get me a trailer park
And hold my world around
Why why why why?

Ding ding donga dong dong ding dong
Dingy dingy son of a gun
Half my time I tell you baby
Never am I all for sure
Why why why why why baby
Sicky sicky from within
Everytime I stick my finger on in ya
You’re a wild wild little town bitch
Now how ’bout ding a dang dong dong dong ling long
Dingy a dingy dong a down

Everytime you tell me baby
When I settle down
Got to get me a trailer park
And hold my world around
Why why why why?

In my dang a ding a ding a ding dong
A sticky sticky son of a gun
Ding a danga danga dong dong ding dong
Why why never know
Why why wack a dong a dang ding dong
Then you take it on the bill
Ding dang dong don’t dong
Whoa!

I wanna love ya!

Why why why, why why darling
Do you do you tell me to play?
Half the time I talk about it all now baby
You know what I’m talkin’ about I said
Why why why it’ll
Ticky ticky ticky ticky
Son of a gun
Ding ding dong a bong bong bing bong
Ticky ticky thought of a gun

Bing bing bang a bang a bang bing bong bing a bing bang a bong
Binga bing a bang a bong bong bing bong bing banga bong

Bing bing bang a bong bong bing bing binga binga banga bong
Bing bing bang a bang bang bing bong

Aarrrhhhh…

Ding dang a dang bong bing bong
Ticky ticky thought of a gun
Everytime I try to do it all now baby
Am I on the run
Why why why
It’ll ticky ticky ticky ticky ticky ticky
Dawn of a gun
Bing bing bang a bong a bong bing bang a
Ticky ticky thought of a gun
Bing bip bip a bop bop boom bam
Ticky ticky through the day

If you got a doubt ’bout baby
The memory is on the bed
Why why why why why
Darlin’ uh it don’t know
When my time is on
Might tell me never do it on his own
If my time was all as is yours
Make me burn a wish
When my time with you is brutish
No I’ll never not ever

Why why why why why why baby heavy hell
Alone and it’s here it’s this thunder
The thunder oh thunder
Oh!

Jesus built my car
It’s a love affair
Mainly Jesus and my hot rod

Yeah, fuck it!

Opera House Concert Serenades Thousands of Potted Plants

On Monday, the El Liceu opera house in Barcelona hosted a special concert for 2,292 house plants. The event, organized by Spanish conceptual artist Eugenio Ampudia, took place just as Spain lifted its three-month state of emergency. Reaffirming the value of art and music, the theatre kicked off its re-opening with this performance as a kind of roadmap for returning to normalcy.

Ampudia said the inspiration for the idea came from his getting back in touch with nature during the quietude of the pandemic. The plants will be donated to local health care workers as a token of appreciation for their hard work.