Clint Eastwood Spaghetti Westerns

Over six hundred European Westerns were made between 1960 and 1978. The best-known Spaghetti Westerns were directed by Sergio Leone and scored by Ennio Morricone, notably the three films of the Dollars Trilogy (starring Clint Eastwood as the main character)—A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966)—as well as Once Upon a Time in the West (1968, starring Charles Bronson). These are consistently listed among the best Westerns of any variety.

The last few pics shown here are not spaghetti westerns, but American movies.

See also:


Inflatable extras in Hollywood movies

Computer Generated Imagery (CGI) is expensive and extras are difficult to handle, besides costing money. The Inflatable Crowd Company offers the alternative – plastic, inflatable mannequins, thirty thousands of them for use in movies where a large crowd is required. The company was formed in 2002 for creating crowd scenes for the Hollywood movie Sea Biscuit. Their inflatable crowd have since appeared in over 80 feature films including many memorable ones like The King’s Speech, Frost/Nixon, American Gangster, Spiderman 3 and many more. These plastic men and women were featured in many TV shows and commercials as well.

Blow up dolls are taken from their boxes and inflated for shooting in a commercial.


The dolls are then dressed. They still don’t have faces. These along with wig, hat etc. are fitted later.



A scene on the set of the movie American Gangster with 1,500 Inflatables.

A scene on the set of the movie Cinderella Man with 11,000 Inflatables.

A scene on the set of the movie We Are Marshall with 2,400 Inflatables.

A scene on the set of the movie The Changeling with 400 Inflatables.

A scene on the set of the movie Glory Road with 4,000 Inflatables.

550 inflatable dolls getting prepared for a scene in the movie Angels & Demons.

Really Bad Horror Movies

Brief list of bad horror flicks.  I thought the Amityville Horror franchise flicks were really bad.  But these appear to be a heck of a lot worse according to the reviewers.

Basket Case

In Basket Case, a baby is born with a parasitic twin. A small, evil parasitic twin the size of a basket ball. It grows out of the boy’s shoulder. The boys parents decide to save the “normal” twin by having the parasitic twin surgically removed.

Fast forward a few years and now the twins are all grown up. And like all siamese twins separated at birth, in which one twin was brutally removed from the other and thrown into the garbage to die, they dream of nothing else than revenge against the surgical team that separated them.  Murderous mayhem ensues.


“She’s hot. She’s Sexy. And she’s sutured to please.” When a mad scientist loses his girlfriend to a freak lawn mower accident he decides that the best way to get a new girlfriend is to chop up some prostitutes and make a new one out of spare parts. Stupid mysogynistic trash masquerading as a horror comedy.

Cannibal Ferox (a.k.a Make Them Die Slowly)

The subtitle of this movie is “make them die slowly” and the movie certainly lives up to its name. The mindless plot involves some Americans captured by cannibals in the Amazon. There is not much plot except a series of mutilations, eye removals, and gory torture.

Eaten Alive

This is yet another Italian horror movie with a cannibal theme. Americans venture into the jungle where they encounter cannibals. Eating ensues.


Erotic Nights of the Living Dead (1979)

A sleazy zombie cheesefest with horrible dubbing of English over the original Italian dialogue. The mouths are out of synch with the sound which adds to the fun.

A classic in the Euro-Horror zombie genre. Gratuitous sex and horrible acting. So bad its almost good.


A Night to Dismember

A female murderer is released from an insane assylum, suposedly cured. Then the body count begins. The film is dreadful on almost every level: the sound is awful (where are the foley artists when you need them?), the cinematography is lousy, the plot and acting are D-grade. The whole mess doesn’t make sense, so the director added a narrator that valiantly tries to make sense of the movie and explain the plot to you. The movie must be seen in order to appreciate just how brilliantly awful it is.

Night of the Bloody Apes

It’s the night of the Bloody Apes – well, actually, only one bloody ape. And he’s not really all ape, either.

You see, it seems that a mad scientist had a son with a heart defect. So he gives his son a heart from an ape, which naturally turns his meek, weakling son into a ferocious, murdering, sex crazed monkey man. What else would you expect? 🙂


Cannibal! The Musical
You may think that the title says it all. But no, there’s more.

The movie tells the fictionalized story of Alfred Packer, a real life 1890s pioneer who got lost in the Colorado wilderness and ended up eating his fellow expedition members. The story shifts incongruously from schmaltzy musical numbers to gory scenes of human hors d’oeuvres. One reviewer described the movie as “The Musical is Oklahoma meets Bloodsucking Freaks.”

Gingerdread Man

The ashes from an excuted killer are mixed into some cookie dough and naturally the killer comes back as a huge knife wielding murdering Ginger Bread Man. Awesome schlock, made even “better” by the fact that Gary Busey plays the part of the Gingerbread Man. Just try to picture it. The horror, the horror.

Santa’s Slay

It seems that truly bad horror movies always try to be clever by using an obvious pun in their title. For example: Gingerdread Man, or the awful Santa’s Slay, about a murderous Santa Claus.

What’s even funnier is that the killer Santa is played by talented actor and former wrestling star Bill Goldberg. Need I say more?

That’s all folks!

Beyond the Valley of the Lurid Exploitation Film Posters of the 50s, 60s & 70s

Copyright 2015 Century Guild/ Thomas Negovan


A Lovecraftian poster for an odd 1960s mermaid thriller starring Dennis Hopper with a freaky cameo appearance by Marjorie Cameron, the bohemian witch of Los Angeles.

This is a sampling from a private collection of rare, massive 40” x 60” posters that were printed on cardstock for drive-In movie theaters.


Copyright 2015 Century Guild/ Thomas Negovan

An American distributor purchased a historical film and repackaged it as a Nazisploitation thrill; the fact that the movie was years old at this point was sold to the audience as the film having been “censored until now!”


Copyright 2015 Century Guild/ Thomas Negovan

A towel-clad Brigitte Bardot stuns in this incredible 1961 Pop Art poster.


Copyright 2015 Century Guild/ Thomas Negovan

A giant poster advertising a 1966 Hammer double-feature where theatregoers would get their own Rasputin beard!


Copyright 2015 Century Guild/ Thomas Negovan

After stabbing her mother’s boyfriend, a teenager escapes from reform school amid a barrage of attempted rape and lesbianism.


Copyright 2015 Century Guild/Thomas Negovan

A psychedelic graphic for a 1971 camp film marketed as druggy horror to capitalize on the Charles Manson trials.


Copyright 2015 Century Guild/Thomas Negovan

This 1963 poster lured theater goers over to listen to the whispering of a rocky-skinned slime monster.


Copyright 2015 Century Guild/Thomas Negovan

Vincent Price narrates this “travel documentary” exploring bizarre cultural practices.


Copyright 2015 Century Guild/Thomas Negovan

Hammer horror classic with the busty Ingrid Pitt as Carmilla, the original prototype of the lesbian vampire.


Copyright 2015 Century Guild/Thomas Negovan

An Italian dramatic film released in the United States with a decidedly sexy marketing campaign.


Copyright 2015 Century Guild/ Thomas Negovan

Mario Bava directed this 1964 film that created the template for the “body count” slasher films of the 1980s.


Copyright 2015 Century Guild/Thomas Negovan

In 1967, the first Argentinian vampire film offers viewers a unique experience called “Erotomania!”


Copyright 2015 Century Guild/ Thomas Negovan

The dismembered hand of an astronaut possessed by an evil alien intelligence goes on a killing spree.  Luckily a hungry cat saves everyone at the end.  Burt Reynolds screen tested twice for this film and was turned down both times.


Copyright 2015 Century Guild/ Thomas Negovan

Deranged: The confessions of a Necrophile is loosely based on serial killer Ed Gein and features a man using corpses for various aspects of home décor.


Copyright 2015 Century Guild/ Thomas Negovan

H.P. Lovecraft presented with the patina of 1960s cinema.


Copyright 2015 Century Guild/ Thomas Negovan

A hallucinogen-paranoid tale of espionage and psychedelic “acting.”

‘Neon’ movie posters of cult films by Quentin Tarantino, Dario Argento, Stanley Kubrick and more


The Shining (Stanley Kubrick, 1980) neon movie poster


Using the art of “one point perspective” (an approach to art that began as early as the 15th century in Europe that utilizes a “vanishing point” on the horizon point of the image) two Italian twin brothers (working under the moniker Van Orton Design) took on the task of digitally reimagining movie posters based on cult films from directors like Dario Argento and Wes Anderson, in vivid electric neon color schemes.



Suspiria (Dario Argento, 1977)



Pulp Fiction (Quentin Tarantino, 1994)


Although the twins used modern methods to obtain their striking results, there is a distinct old-school feel to their posters that homage some of cinema’s greatest achievements of the past 50 years. The brothers, who appear to prefer to remain nameless and obscure their faces with masks, have also managed to have the films be seen through fresh eyes due to their unique presentation and interpretation of different, unforgettable scenes in the films themselves. Such as the moment Marcellus Wallace unfortunately strolled in front of the beat up Honda that Butch Coolidge was driving in Pulp Fiction (pictured above) before everything goes to shit for both of them.



The Grand Budapest Hotel (Wes Anderson, 2014)



2001: A Space Odyssey (Stanley Kubrick, 1968)



Big Trouble in Little China (John Carpenter, 1986)



Army of Darkness ( Sam Raimi, 1992)



Deep Red (Dario Argento, 1975)



The Shining (Stanley Kubrick, 1980)