The Katskhi pillar is a natural limestone monolith located at the village of Katskhi in western Georgian region of Imereti, near the town of Chiatura. It is approximately 40 metres (130 ft) high, and overlooks the small river valley of Katskhura, a right affluent of the Q’virila.

The rock, with visible church ruins on a top surface measuring c. 150 m², has been venerated by locals as the Pillar of Life and a symbol of the True Cross, and has become surrounded by legends. It remained unclimbed by researchers and unsurveyed until 1944 and was more systematically studied from 1999 to 2009. These studies determined the ruins were of an early medieval hermitage dating from the 9th or 10th century. A Georgian inscription paleographically dated to the 13th century suggests that the hermitage was still extant at that time. Religious activity associated with the pillar was revived in the 1990s and the monastery building had been restored within the framework of a state-funded program by 2009.

The Katskhi pillar complex currently consists of a church dedicated to Maximus the Confessor, a crypt (burial vault), three hermit cells, a wine cellar, and a curtain wall on the uneven top surface of the column. At the base of the pillar are the newly built church of Simeon Stylites and ruins of an old wall and belfry.

The church of St. Maximus the Confessor is located at the south-easternmost corner of the top surface of the Katskhi pillar. A small simple hall church design with the dimensions of 4.5 × 3.5 m., it is a modern restoration of the ruined medieval church built of stone. Beneath and south of the church is an elongated rectangular crypt with the dimensions of 2.0 × 1.0 m., which had served as a burial vault. Digs at the ruined wine cellar revealed eight large vessels known in Georgia as k’vevri. Also of note is a rectangular cellar grotto with the entrance and two skylights—on the vertical surface of the rock, some 10-metre (33 ft) below the top. At the very base of the pillar there is a cross in relief, exhibiting parallels with similar early medieval depictions found elsewhere in Georgia, particularly at Bolnisi.

In July 1944 a group led by the mountaineer Alexander Japaridze and the writer Levan Gotua made the first documented ascent of the Katskhi pillar. Vakhtang Tsintsadze, an architecture specialist with the group, reported in his 1946 paper that the ruins found on top of the rock were remains of two churches, dating from the 5th and 6th centuries and associated with a stylite practice, a form of Christian asceticism. Since 1999, the Katskhi pillar has become the subject of more systematic research. Based on further studies and archaeological digs conducted in 2006, Giorgi Gagoshidze, an art historian with the Georgian National Museum, re-dated the structures to the 9th–10th century. He concluded that this complex was composed of a monastery church and cells for hermits. Discovery of the remnants of a wine cellar also undermined the idea of extreme ascetism flourishing on the pillar. In 2007, a small limestone plate with the asomtavruli Georgian inscriptions was found, paleographically dated to the 13th century and revealing the name of a certain “Giorgi”, responsible for the construction of three hermit cells. The inscription also makes mention of the Pillar of Life, echoing the popular tradition of veneration of the rock as a symbol of the True Cross.^[1]

Religious activity started to revive in 1995, with the arrival of the monk Maxim Qavtaradze, a native of Chiatura. Between 2005 and 2009, the monastery building on the top of the pillar was restored with the support of the National Agency for Cultural Heritage Preservation of Georgia. The rock was once accessible to male visitors through an iron ladder running from its base to the top, but has recently been deemed inaccessible to the public.

The ladder

Rope pulley to bring up supplies

The speed with which they built the Empire State Building, 1931

The idea for the Empire State Building is said to have been born of a competition between Walter Chrysler of the Chrysler Corporation and John Jakob Raskob of General Motors, to see who could erect the taller building. Chrysler had already begun work on the famous Chrysler Building, the gleaming 1,046-foot skyscraper in midtown Manhattan. Not to be bested, Raskob assembled a group of well-known investors, including former New York Governor Alfred E. Smith. The group chose the architecture firm Shreve, Lamb and Harmon Associates to design the building. The Art-Deco plans is said to have been based in large part on the look of a pencil.

Despite the colossal size of the project, the design, planning and construction of the Empire State Building took just 20 months from start to finish. After demolishing the Waldorf-Astoria hotel—the plot’s previous occupant—contractors Starrett Brothers and Eken used an assembly line process to erect the new skyscraper in a brisk 410 days. Using as many as 3,400 men each day, they assembled its skeleton at a record pace of four and a half stories per week—so fast that the first 30 stories were completed before certain details of the ground floor were finalized. The Empire State Building was eventually finished ahead of schedule and under budget, but it also came with a human cost: at least five workers were killed during the construction process.

The new building imbued New York City with a deep sense of pride, desperately needed in the depths of the Great Depression, when many city residents were unemployed and prospects looked bleak. The grip of the Depression on New York’s economy was still evident a year later, however, when only 25 percent of the Empire State’s offices had been rented.

During certain periods of building, the frame grew an astonishing four-and-a-half stories a week.

Chrysler Building 1932