‘Neon’ movie posters of cult films by Quentin Tarantino, Dario Argento, Stanley Kubrick and more

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The Shining (Stanley Kubrick, 1980) neon movie poster

Using the art of “one point perspective” (an approach to art that began as early as the 15th century in Europe that utilizes a “vanishing point” on the horizon point of the image) two Italian twin brothers (working under the moniker Van Orton Design) took on the task of digitally reimagining movie posters based on cult films from directors like Dario Argento and Wes Anderson, in vivid electric neon color schemes.

 

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Suspiria (Dario Argento, 1977)

 

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Pulp Fiction (Quentin Tarantino, 1994)

 

Although the twins used modern methods to obtain their striking results, there is a distinct old-school feel to their posters that homage some of cinema’s greatest achievements of the past 50 years. The brothers, who appear to prefer to remain nameless and obscure their faces with masks, have also managed to have the films be seen through fresh eyes due to their unique presentation and interpretation of different, unforgettable scenes in the films themselves. Such as the moment Marcellus Wallace unfortunately strolled in front of the beat up Honda that Butch Coolidge was driving in Pulp Fiction (pictured above) before everything goes to shit for both of them.

 

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The Grand Budapest Hotel (Wes Anderson, 2014)

 

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2001: A Space Odyssey (Stanley Kubrick, 1968)

 

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Big Trouble in Little China (John Carpenter, 1986)

 

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Army of Darkness ( Sam Raimi, 1992)

 

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Deep Red (Dario Argento, 1975)

 

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The Shining (Stanley Kubrick, 1980)

Dangerous Minds

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